Creativity in Driftwood

Last week my husband and I took a vacation to the Oregon coast. We like to go there during low tides or after storms to look for agates and rocks of all sorts. We hadn’t been in a long time and we both were very in need of a break. Plus, this was our dog’s first road trip to the ocean.

On one of our walks we saw a young man building a structure out of driftwood. He was busy digging a large hole in front of the structure, tossing out sand and oblivious to our passing.

We see people doing things like this with driftwood, typically building a simple pile of sticks for kids to play in, or to sit in while they have a small fire. But the things this young man built were different. For one thing, there were several of them along the beach. For another, they were complicated. Good sized, intricate, wood woven into arcs and organic shapes, and clearly more like artwork than just playing around building a camp.

On top of that, we noticed other things as we walked in the vicinity. Closer to the waves there was a simple circle of stones, already getting covered in sand. There was a slender piece of driftwood upright in the sand, decorated. I took a photo, which is below, but you can’t really see the details. There were feathers, shells, pieces of beach grass, and stones decorating the wood. I felt uncomfortable after I took the photo, as if I’d gone into someone’s church during service and started snapping pictures.

My husband spotted a ring of sand. It may have been a hole originally, like the one we saw the young man digging. But the tides and waves left only a hint of what had been, and left patterns of movement in the sand that showed what change looked like. It was like a subtle reminder that nothing remains constant.

I’ve been thinking about those structures since we got back. Why was the young man building so many? Why did he build them at all? Did he see them as transitory art, or were they just something to do with the things he found on the beach? Did he want people to use them? Did he sit back later and watch the afternoon crowds and how they interacted with his creations? Or was he, too, transitory, and moved on without looking back?

That led to more questions. I wondered if people saw the creativity, or just saw camps. I wondered if people respected them, or destroyed them. Did kids play in them and dream adventures? Did homeless people sleep in them at night?

So many possibilities. So many stories.

I wonder if that young man knew he would make imaginations soar? I hope so.

Oh, and Corbie loved the beach. The picture below is him with the wind blowing his ears up. He was the most well-behaved dog we have ever traveled with and we made sure to pay attention to what sticks he played with.

‘Otherkin’ is Here, For Some…

But not for my husband.

Typically when writing, he is involved in the process and gives me opinions on the many drafts. This time, he wanted to be able to read the new book as a reader, with no idea what was going to happen. I was able to keep him out of the process for the most part, although I had to ask his opinion on the best way to blow things up.

This book, the sequel to This Deep Panic, took so very long to write. I’ve shared some of that here. Through all the hours of questioning scenes, questioning the story, questioning my ability, I managed to keep him on the periphery.

My goal was to hand him the actual book, for him to be the very first person to hold it and read it.

I ordered a few advance copies when Otherkin was published a couple weeks ago. And then I gave them away. Oh, I kept one, for my husband, and even handed it to him when I unpacked the box. And then I gave that one away, too. Oops.

So I’ve delayed making the announcement that the book is here until I ordered one more copy, waited for the very slow snail mail, and then waited until I could hand it to him.

After, I think, three years, it’s done. Has he read it yet?

He hasn’t even cracked the spine, I don’t think. He’s being very responsible and finishing the book he’s in the middle of first. I don’t think he’s aware of me nervously hovering, because obviously, his opinion matters.

What if he doesn’t like it?

In the meantime, while he is so-very-very-slowly reading an Agatha Christie mystery, Otherkin is now out in the world.

What if you don’t like it? If you liked the first book, hopefully you’ll like what the characters are up to in this one. There was one weird scene with a character going for a swim. I cut that scene, put it back, cut it again. I couldn’t see how it fit the plot, how it moved the story forward, how it even impacted the characters. But it kept nagging me. I finally decided I wasn’t letting go of it for a reason and left it, thinking the characters might tell me later why it had to be there. And they did. That one odd little scene ended up having a huge impact on other characters and conflicts. Strange how that works out.

For now I just took a sneak peak at the husband’s copy to see if it is still pristine. Well, the book is.

How Recent Floods Transformed Our River Landscape

A few months ago we had some of the worst flooding in several years. Floods are interesting and dramatic when you live in a mountainous area with lots of rain. Typically they come after a heavy snowfall and then rapidly warming weather, but once in a while a flood will be solely from a rain event, and that’s what this one was.

Floods here aren’t like in the lowlands or farming areas. High water in lowlands can obviously be just as destructive. But here, where high volumes are forced into narrow river channels, rocky canyons, and dropped down steep elevations, the flood has a tendency to rise fast, disperse power, and then drop equally fast. In other words, lots of drama over a shorter period of time. This time, there was a lot of drama. Look at the photo below and you can still see the ghost of the water flow.

Yesterday we walked over to the river and I was shocked at how much the channel had changed. As I said, floods are nothing new here and the river landscape is always changing even without drama. But this was significant. The photo below is of the same tree above. You can get an idea how high the river got.

A nice, wide, side channel is gone. In its place is sand. Sand! If you live in this area, sandy beaches are not normal. River edges here are nothing but rocks, rounded over eons by water. There are rocks, though, beyond the sand. The side channel is now a high mound of rocks as far as you can see. The sheer volume of rocks is unreal. It’s hard to imagine where it all came from, let alone thinking about the power of water to move that many rocks so easily. In the photo below, that wide expanse of rock is where the side channel used to be. And by the way, the dog absolutely loved the sand. Quite a bit of it is now in our bed, I’m sure.

There has always been a trough, quite deep, in the main channel. You could see it from shore and it was obviously deep because of the shade of green and the difference in currents. But you couldn’t get close on foot as the river was too wide. A kayaker could get through the main channel to that deeper part, or maybe my friend who swims the river currents. But not the average person standing on the shore. The opposite shore, nothing but woods, also allows no access.

Now though, thanks to the massive sand and rock piles, you can walk up to this deep channel. It’s a beautiful emerald green. In the photo above you can see how fast the edge drops off into depths.

In the future, high water events will erode this new landscape. The old side channel might open up again. The deep channel will widen as currents eat away at the rocks. The sand will definitely be washed away. But for now, it’s a new world over there.

We came home with pockets full of rocks for our tumbler. So many, underwater for who knows how long, now exposed and accessible. Jasper, wishing rocks, quartz, and granite.

I also came home with a little forest creature. It looked rather sad floating in a tiny pool of river water. It had to have come from a tree, uprooted by floods, sent down river, shattered into debris. It didn’t belong in the river. It used to be a tall tree, touching the wind. So I pocketed it for safekeeping, carried it home, and now have it on the desk. I’m not sure it’s any happier here. I might have to find a place for it in the woods. It still looks kind of sad. Or maybe that’s just me, transferring my thoughts on how fast things can change, how much power there is in change, and how nothing stays the same.