A Body of Stories

I’m taking an archaeology class through Coursera and we’ve been asked to think about the ethical questions around excavating human remains. Do archaeologists have the right to uncover, study, archive, those remains? Are they preserving history for the future or breaking cultural taboos? And at what age does it become okay? For example, could I study someone who died ten thousand years ago? Five hundred? Twenty?

Someone once said a person is not truly ‘gone’ as long as there is someone to remember them. So is that the line we draw in the archaeological sense? If memory exists, remains shouldn’t be disinterred and studied? That question now moves the debate into the realm of stories, which of course, fascinates me.

I was lucky enough to know my great-uncle, who was in his late nineties when I was small. Quite the character, by the way. He told me stories about his grandfather and great-grandfather. Obviously I never knew those people. I have no emotional attachment to them. And yet I do have their stories, which keeps those long gone people alive in my mind. Gone, but not forgotten.

Does that mean I have a concern in whether their graves should be disturbed? Honestly, I’d hate to see disturbance because Cherry Creek, where they are buried, is very old. On the top of a butte, overlooking hills and fields of wheat all the way to the horizon. Other than that, I have no strong prohibition to disturbing remains in order to learn.

Back to stories. Does the excavation of an ancient burial site kill the stories? No; it may even add to them. And to me, the tale of a person’s life is far more valuable than an unrecognizable mummy, or a scatter of bones. But then, I’m a storyteller.

Disturbing the dead when it’s a cultural taboo, or when it causes distress is another matter. Those things have to be honored.

But I’d rather have stories left, to be shared, to be laughed over, then bones or ashes. Those may tell a future excavator where I lived, what I ate, how good my dentist was. But no amount of tests will tell those future excavators I yelled at a cougar. That will remain in the hands of a storyteller, most likely my son.

So I had this great-uncle named Stonewall Jackson (first and middle name). Jack was stone deaf. When my grandmother introduced Frank, the infant who would become my father, he said, “Friday? What the hell kind of name is Friday?”

And Friday he became. And all my other uncles and aunts ended up with lifelong nicknames, all because uncle Jack was deaf. That story isn’t in his grave. It’s in memories.

The photo below doesn’t show depth perception well. Cherry Creek is the top of a very steep, high hill.

Cherry Creek in winter

Cherry Creek in winter

The Traveling Interview

Author Susan Schreyer ( http://writinghorses.blogspot.com/) asked if I would like to be part of a ’round robin’ author interview. The questions stay the same so you can follow the trail and see what each author thinks.

What are you working on right now?

Book #2 in the Mountain Mystery series, Sparrow’s Silence, is due soon. Book #3 is beginning to simmer in the depths of that space where ideas come from. Oddly enough, the first new character to spring to life is a troublesome dog. And then there’s this story in a different genre plaguing me.

How does it differ from other works in its genre?

Well, let’s see. Sparrow’s Silence is set in Wallace, Idaho, which is such a unique setting. One thing I strive for is a setting that becomes as important as the characters. I want the ‘place’ to be so real, that it pulls at you and haunts you. That’s what I like in books I read, too. I want to be swept away, not just by the plot and characters, but by wherever the author wants to send me.

What experiences have influenced you?

Moving to the woods was a huge influence. The mountains seem so mysterious. I just know there are endless stories up there in the areas few people go. Every time I try to write a story in a different landscape, say for instance the badlands where I have family, the story falls flat. If the setting doesn’t give rise to an almost homesickness for me, it sure won’t for the reader.

Why do you write what you do?

Well, the easy answer is because I love to read mysteries. The harder answer is that I love when a story pulls me in with questions. Not just plot twists, but character questions, too. I always want to know why things happen, why this person is who, and where they are.

How does your writing process work?

I have to say I envy Susan Schreyer, because she plots and outlines. That seems so organized and professional. I tried it once. And failed. I’m an ‘organic’ writer who always knows the very last line of the story. I may not know all the characters, I rarely know the plot. But I know how it is going to end. So writing becomes figuring out how to get to that ending.

What is the hardest part about writing?

Oh man, being able to find time. I want, and know I need, a set schedule. But just like my inability to outline, I also fail at schedules. I’m pretty good at setting aside weekend time, but I need more than that.

What would you like to try as a writer that you haven’t yet?

The non-mystery story I’m attempting is one with multiple points of view. I’ve never written that way, and am intimidated by the scope of multiple voices. I’m not sure I can pull it off, but at the same time even if it never gets published, it’s going to make me stretch and learn as a writer.

Who are the authors you most admire?

Elly Griffiths. She is a master at the haunting landscapes. Try her first book, The Crossing Places.

Elizabeth Peters. I’ve been reading her books for many years. I love all her series, but especially the Amelia Peabody books. These are written in first person, but she does a fantastic job showing the point of view character through the eyes of other characters, even in first person.

Meg Gardiner. All of her books, but especially the Evan Delaney series. Meg knows how to write action and tension and how to grab the reader immediately.

S.J. Bolton. I love how she keeps me wondering what is myth, what is fact, what is ghost story, what is real.

Then there are the authors I love to read: Carol O’Connell’s Mallory series, C.J. Box, Val McDermid, Sharyn McCrumb, P. J. Parrish’s Louis Kincaid series, and Patrick McManus. He writes mysteries, now, too, but when I want to laugh, I pull out his earlier essays on growing up with quirky characters. Try They Shoot Canoes, Don’t They?

Who are new authors to watch out for?

Kaylan Doyle, Susan Shreyer, Lisa Harris. Wonderful writers. And then there are the poets, Sabrina and Pat. I’m not using their last names as they are not ready (in their minds) to be public. But when they send out their poems, you’re going to be blown away.

What scares you?

My son is now driving. Enough said.

And here, for those who want to continue with these travels, is a link to the next person to get interviewed, author Lisa Harris. Lots of humor, quirky characters, and romance…if you like that mix in mysteries you’ll like her writing.  http://www.peaceloveandallthegoodstuff.blogspot.com

Where did this little guy go?

Where did this little guy go?