Diaries and Dramas

A few weeks after my mother died, my sister and I went through her things.  This involved scaling a gigantic mountain as my mother was a hoarder.  At one point I heard my sister sobbing and found her holding my mother’s diary.  It was an odd journal, full of stories of things that hadn’t happened, cruel comments about her children that made no sense, and serious signs of instability.  But all my sister saw were the horrible words written about her.  At the time we had a bonfire outside and so I took the diary, plus more of my mother’s that I found, and threw them onto the fire with broken-hearted fury.  And then I went home, gathered the diaries that I had kept since I was nine years old, and burned them, too.  There was a rage inside that words could so hurt.  I didn’t ever, ever, want something I had written to hurt another person so deeply. 

It probably wasn’t smart to make such an important decision that impacted not just me but siblings as well, when none of us were emotionally stable.  And over the past few years I have had brief moments of regret. 

And over the past few years I have never again kept a diary. 

Here’s the thing though.  Most writers keep some sort of notebook.  Something that holds bits of over-heard dialog, descriptions of someone passed in a street, ideas for stories, and random thoughts on writing.  I keep having this little nagging voice whispering to me that I should be writing life down.  Added to that, I know there are many types of diaries.  I know people who keep weather journals, nature journals, bird journals, and even one who keeps a running tab on river levels.  So if I really wanted to keep a diary, there are a lot of forms I could choose. 

Yet I keep going back to that moment when my mother’s words devastated my sister.  And I believe that if I started a diary again, the words would be false because I would mentally be editing them out of fear of hurting someone.  And that kind of writing is dangerous because there’s the possibility of the writing becoming a lie.  I find myself in this quandary of wanting to keep a journal and yet not knowing how to make it both honest and painless.  This is a common tightrope for writers to walk.  The work needs to be honest.  A friend described this beautifully when she said she was using a pen name to remove the inner critic that sat on her shoulder whispering, ‘what would your mother think?’.  But a pen name and the anonymity that brings isn’t an option when it comes to a journal.

Fiction is easier.  I have written stories where family members have been represented in characters, and not always favorably.  Do I worry about offending a family member?  Heck no.  I can always say, ‘it’s fiction’.  That excuse doesn’t exist for journals. 

I went into an office supply store this weekend and stood before the variety of notebooks thinking how much I would like to take on those blank pages.  I haven’t felt that desire to journal in a long time.  But as I reached for one, the fear came back.  I believe journals are important, especially for writers, but I haven’t found a solution to writing honestly without possibly breaking my son’s heart some day.  Even though I’m not my mother, and even though I want to record my writing life, not his life, is it worth the risk?  Some day I’ll find the balanced answer, but obviously it’s not today.

Throwing Away Words

Claire was a classic pianist and hermit.  A tall elegant woman with high cheekbones who wore jeans, logging boots, old plaid shirts, and suspenders.  A published writer who lived in the woods surrounded by twelve dogs, all drop off’s she’d given a home to.  An extremely intelligent woman who had, back in the 1940’s, her own radio show.  When I knew her she had disdained connections with the world.  No phone, no car in her later years, no family.  I did her weekly grocery shopping, taking bags into a house that was merely a shelter as she spent her time outside.  I grew up wanting to be her, a hermit in the forest, with dogs, music, pen, and paper. 

There’s an old adage that a writer should never throw anything away.  That you never know when a cut paragraph or unfinished story might be needed in a new piece of work.  The other day I found myself overwhelmed by paper.  After all, just how many versions do I need to keep of a particular manuscript?  Obviously not ten.  I decided to keep one draft, plus the final finished piece and toss the rest.  In the midst of this cleansing, I came across a large pile of Claire’s writing.  Drafts of manuscripts before they were published, where she had written notes to herself in faded pencil in the margins.  Stories that she had never published.  Beginnings with no end, scraps of paper with ideas, scraps of paper that were more like journal entries.  Any writer reading this knows exactly what I’m talking about.  How often do we jot things down to save for later, and then see those pieces filter down into the boxes? 

I debated about throwing away the pile.  Claire was gone, I knew I would never do anything with her ideas, and in some pages the writing was so faded it had become ghosts of words.  And yet, I’d always loved her handwriting.  And she had this very wicked humor that was still alive in some of those jotted thoughts.  And finally, I realized, who was left to remember her, to appreciate the lifetime of seeking words, if not me?  And so I kept her pile, repacking the paper along with my melancholy for a woman long loved and still missed.

But with my own papers, I have to admit I did toss a lot.  Not all.  But I noticed that mine were printouts from the computer.  There was nothing personal on them.  Well, of course, those pages are all my words and my voice and my story drafts.  But they miss the human touches of Claire’s papers.  Years from now when my son is overwhelmed by paper and cleaning up after his parents, will he see me in those computer generated papers?  Possibly through my stories, but most definitely not the way I found Claire again. 

Then again, I do have that box of abbreviated ideas, snippets of dialog, observations of people, scraps of unfinished sentences.  I was going to toss it, but maybe I need to keep it after all.  For my son you know.  Really.  That’s the only reason…

A Poem and a Mystery

Several years ago I came across a poem.  There was no author’s name attached, and this was before the internet.  I remember asking a resource librarian how to find out who had written the poem, but she was unable to help.  I kept that paper though because the words haunted me.  I wanted more.  There were so many stories hinted at in the stanzas, and I yearned to hear those stories.  What happened before.  What happened after.  Why? Who did the girl turn out to be? How did she live?  I used to make up stories about the girl in the poem, and the words contributed to many daydreams.  In a way, it was my first exposure to the writer’s best friend; that ‘What If’ question that inspires writing.

A friend suggested I type a few lines of the poem into Google.  I did, and there the author was.  Not only did I find who wrote the poem, but I also found that she has written many more for me to discover.  Mary Mackey has graciously given me permission to post that poem here, which I have done in the sidebar. I’d planned on posting it right within this post, but it formatted as if each line of the stanza was a new paragraph and that distracts from words that deserve full attention.  Every time I read this poem it gives me chills and I hope others see the beauty and mystery, too.  And if it makes you want to read more, go to www.marymackey.com

Ms. Mackey has also agreed to be interviewed, so I am trying to come up with questions that she hasn’t been asked thousands of times.  Until then, please take a moment to visit the sidebar and read When I Was a Child. And then please let me know if it haunts you like it does me.