Art or Device?

I just finished The Round House, by Louise Erdritch. The writing soared, the characters tugged me into their world, and the ending left me hanging and wanting so much more. This is the first time I’ve read anything by Ms. Erdritch, and it’s safe to say it won’t be the last book by her that I devour. Depending on dialog, that is.

The author’s lack of quotation marks around dialog stymied me. My eyes are so trained to catch those tiny mouse-turd cues, that I stumbled over their absence. I use ‘mouse-turds’ on purpose because once there were some in a book I read, and I thought they were quotation marks in a weird spot.

I found myself reading along, captured by beautiful writing, only to suddenly realize I was reading dialog. Then I’d have to back up to pick up where people started talking, and work my way back to where I was interrupted and pulled out of the story.

If the story had been less powerful, I would have stopped reading simply because I dislike being taken out of the story world. The book was very bumpy to read because of that.

I wondered why the author chose to not use quotation marks. A dislike of the shift key? Some sort of artistic point I’m too dense to pick up? A signal that I was reading literature rather than just a very good story? Those questions also pulled me away as a reader. Which made me then wonder, when is something artistic, and when is it simply a device to make someone stand out, or to prove you can break a rule and get away with it?

A while back I talked about reading books by Elly Griffiths, who writes in present tense, and how skilfully she handles that. So well, in fact, that her ‘device’ never once pulled me out of the stories. Present tense isn’t a style of writing one sees often, and it could easily have failed. I’m glad it didn’t because I really do love her series.

It’s the same with this book. Whatever the author’s reason for not using quotation marks, The Round House was still a very good story. Unlike with Elly Griffiths though, I’m not sure I’d read another book without quotation marks around dialog. It was simply too disjointed, having to continuously back up and re-read. Interestingly, when I read reviews of the book on Amazon, I didn’t see any mention of this. Well, I also didn’t read all of the thousand comments, so who knows. Someone else might have missed the mouse-turds, too.

What do you think makes a writing device succeed or fail? Why do you think authors choose to create a story that breaks the expected rules? And do you like to read books that step outside the traditional format?

 

The Story Question

My husband has hooked me on Dark Horizons podcasts. They play music I don’t normally listen to, but it’s grown on me. Some, like VNV Nation and Assemblage 23 have lyrics that blow me away. Besides the music, though, Dark Horizons also does this silly question segment, which is exactly what it sounds like. And all the listeners get to send in answers. A recent silly question was, ‘what should you not do naked’. My first response was shop for groceries. My husband’s was fry bacon. Lots of people said ‘fry bacon’. No one said ‘shop for groceries’. That should tell you I’m not their typical audience demographic.

But what the hey. The silly question thing is fun. I know people do this on blogs, too, and I think, honestly, it’s filler for when you can’t think of anything to write about. Since I’m in the middle of packing (my son says we own more books than furniture, and are the only people he knows who packs rocks), I freely admit to being overwhelmed and in the need of filler. Which made me decide to post a question here once in a while and see what kind of things we can stir up. 

Which brought me to a problem. Trying to find a question that isn’t corny, hasn’t been done to death, isn’t something you could find on any blog, makes you think, might make you laugh…you see the dilemma? How do I find something original to ask?

Well, there’s my question. I just saw it as I typed that last line above.

Storytelling has been going on for thousands of years. People often say there are no original stories, just retold ones. I imagine that’s the same whether you sing, or paint, or raise kids, or work nine-to-five, or pack rocks.

What does it mean to be original, and is there truly any originality left?

I’d love to hear your thoughts on this. 

My not so original photo

My not so original photo

My husband's more original photo of the same view

My husband’s more original photo of the same view

Where There’s Smoke…

The 1910 forest fire in Idaho was so devastating it’s still known as the Big Blowup. Ten thousand forest rangers, miners, and farmers became firefighters. Many died and were buried where they fell. Some towns were evacuated by trains racing ahead of flames.

This history figures in the plot of book three, which is in process, and because of it I’ve been thinking a lot about fire. What it would have been like to face it, how it comforts and terrifies, warms and burns, provides safety, and destroys. And memories of my own firefighter days. But on a lighter note I thought I’d share a story that is nothing like the 1910 fire.

Once, we camped our way across Montana and found a beautiful, secluded campground on the Black Foot River. We had the place completely to ourselves and set up camp under huge old pine trees right alongside the river. My husband stood out there in the sunset fly fishing while I followed our young son, tossing rocks. Peaceful and perfect.

Until the wind started up, and kept coming, roaring over the mountain, bringing with it the smell of smoke and hot ash that burned holes in our tent. We had a camper on our truck so we retreated as thunder and lightning joined the wind. Pitching a tent with metal poles right under very tall trees suddenly seemed vulnerable.

In order to keep our son from being too scared, we resorted to happy voices. “Wow! Isn’t that cool how the wind tosses the tent?” and “Look at those tent poles break! Isn’t that funny! Let’s play Monopoly!” and “Bet you didn’t think tree branches could make such a loud crash when they hit the camper!”

The storm was violent enough that it blew the thought of ash, and what might be causing it, from our brains. Just like our tent blew away, along with the heavy-duty stakes.

After a long night in which our son slept soundly and we didn’t, we got up with the beautiful dawn illuminating the Black Foot. we packed up and pulled out. Rounding a corner not even a quarter-mile from the campground, we came across hundreds of identical tents in many, many rows. Firefighters.

There was a huge forest fire nearby. Everyone except those fighting the flames had been evacuated. Someone, on the way out, forgot to put a ‘closed’ sign at the campground. The high winds the night before had whipped the fire into a frenzy, but somehow the mountain had kept it from raging our way.

A good friend, Paul, was at the time a forest ranger who fought fires. As we drove by all those identical tents, a happy voice from the back seat piped up. “Let’s find Paul!”

Someday I want to return to that campground because it really was beautiful. Doubt we’ll have it to ourselves though.

Wonder if there’s still pieces of tent hanging from the trees.

One of my favorite camping pictures of Arthur.

One of my favorite camping pictures of Arthur.