The Art of Storytelling

Not too long ago I edited a children’s story called Tallulah’s Flying Adventure, written by Gloria Two-Feathers. I was impressed enough that I asked if I could interview her. I have no doubt that this story will be published and will be the beginning of great things for this author. She says below that she has no musical ability. I don’t believe her. I could hear the singing and the drumming as I read the story.

And after reading her answers below, I do believe she must be a kindred spirit of one of my sisters. Please read the interview and make Gloria welcome in our writing world.

1. Can you give me the background how you came to write Tallulah’s Flying Adventure?

About twenty-five years ago I was visiting a friend in Oregon. She lived in a rural area outside of a small town. I was setting on her front porch steps that faced an open meadow. I noticed several very small spider webs floating on the air. Each one had a little spider clinging to it. As each floating web would twist and turn in the sunlight it would become visible then invisible. As I watched this amazing sight I realized there were hundreds of these tiny webs traveling across this large open meadow. It looked like each little spider was navigating its web.

I remember thinking, “That’s how spiders travel great distances. They don’t crawl they fly!” My second thought was, “that would make a great story book.”

It took me a few years but at last, Tallulah’s Flying Adventure came to life.

2. How did you choose to write children’s stories?

I actually was interested in being a better storyteller. I had the opportunity to study with Nancy Mellon in CA. Nancy is not only a master storyteller she also instructs teachers at the Waldorf School the craft of storytelling, which is a part of the school’s curriculum. Several Waldorf kindergarten teachers were taking this course also. There was always a lot of conversations and study around children’s stories. For our final project of this yearlong course we had to write a story. I remembered all those little spiders floating across the meadow and Tallulah’s Flying Adventure was created.

3. When did you realize you were a storyteller?

I came from a family of story-tellers, who used analogies, oral history and jokes to teach me and my six siblings. From hunting, to canning, to the history of our family’s South Dakota homestead, each topic came alive in the telling. We lived in the Black Hills which is rich in Native American culture, Western history and stories – lots of stories. The beauty of living in such a special place is, I could read a story and actually drive to the area they were telling about. Such as the book Black Elk Speaks, a reference to Harney Peak, and of course Deadwood and the gold mine. Having a huge impact on my life path, Lakota Elder Buck Ghost Horse instructed me over a 20-year period about spirituality, ritual, ceremony, and culture — eventually giving me my name. This connection to Native American culture resonated strongly with me, reinforcing my sense that everything is alive. I try to bring this sensibility to the stories that to flow through me.

Not South Dakota but in the neighborhood.

Not South Dakota but in the neighborhood.

4. Your stories are very lyrical and beg to be read out loud, or even sung. Do you have music in your mind as you write?

I wish I could say yes. But no I don’t. Actually I’m not very musical. It’s just the way the story flows through me.

5. What brings joy for you?

I’m a fairly simple person and I love nature. I receive a lot of joy watching a beautiful sunrise or sunset. The smell of fresh air, and I need a lot of quiet. I live out where I’m surrounded by trees and watching the path the wind takes as it blows through the trees. How it shapes the way trees grow. I receive a lot of pleasure observing the hidden communication of all living things.

My husband Jim is my life long friend. Our dogs Charlie and Isabella are my constant companions and bring me a lot of joy and happiness and just make life more interesting.

Tree growing with granite

Tree growing with granite

6. What brings sadness?

Cruelty in the world, especially to the helpless beings. Such as, I have observed many people killing helpless spiders just because they are a spider. Not because of anything the spider is doing or has harmed them. There are other choices to make, they could put it outside or just leave it alone. I see this kind of senseless cruelty being done to many living creatures, plants, trees, human beings and the Earth herself; it always bring sorrow to my heart.

Tallulah?

Tallulah?

7. What story do you remember from your own childhood?

The first story I can remember has always enchanted me. When I was about three years old my father brought home a book with a story of a Persian Prince who was sent on a quest so he could win the Princess’s hand in marriage. His companion was a magnificent horse that had magical powers: he could talk and fly. To be able to marry the Princess the Prince had to return with a feather taken from the Phoenix, a fire bird that was the color of flames. The pictures in the book were black and white. But the description bought the color alive and real in my mind. I was always asking someone to read that story to me over and over. I must have heard it a hundred times.

8. Why do you think that story has stayed with you all these years?

As a child I believed in a world where we have animal companions who have magical powers and could communicate with us. And they would help us accomplish what seems like impossible tasks. All Native American stories and beliefs are based on everything the Creator created is related. Which means everything is in communication. In Shamanic Journey work this world is referred to as non-ordinary reality.

In ordinary reality I also grew up in a time of Roy Rogers, his horse Trigger and his dog Bullet, The Lone Ranger and his horse Silver, Lassie and Rin Tin Tin. And Strong Heart who was not just an animal movie star but a decorated war hero. Watching these shows had a great influence on me. I decided if they could do it, I could do it and I developed my own animal communication skills. Once you enter that world all of nature is ready to communicate, trees, plants, wind, water, moon, sun and stars the Earth herself. There are no limits only the ones you put on yourself.

Today this is a part of every day life. We have police, military and rescue dogs, service animals of all kinds, as well as horses who are used in therapeutic health care. All of whom have extraordinary powers and high levels of communication. The animals do this because they love us and they remember we are all related.

The internet and television are full of videos of people capturing inner species communication and friendships. The ancient ones always knew this and left the message in stories. As man advanced he forgot and thought it was just myth. But the animals always remembered and waited for human beings to raise their consciousness to a level of awareness of what our ancestors knew. Now I find myself living in a world that I always believed was real when I was a child.

Puppy communication

Puppy communication

9. Can you share something about your daily life, who you are outside of writing?

I enjoy working with women who wants to develop their Spirituality. Those who are asking the archetypal question, “Is this all there is to life? What is this calling and stirring inside of me”? I do this by teaching Energy Healing as well as personal transformation and development programs. I teach these programs in small schools, colleges and at my home.

10. What would you want readers to know about you?

I love to laugh. I have friends and family members that are so humorous we keep each other laughing all the time. I mean that full belly laugh that brings tears to your eyes and takes your breath away. I believe we are supposed to experience that sweet indulgence as often as we possibly can.

Character Dossier Lies

When speaking to fellow writers, I’ve always said I don’t use character dossiers. I used to, with the first couple novels (that are still hidden in boxes). I’d carefully fill out every question and then never go back and look at it again. Once I got into actual writing, the characters answered all those questions for me and the answers were usually far different from what I’d initially imagined.

No dog dossier needed for this character (in our hotel room)

No dog dossier needed for this character (in our hotel room)

I recently finished the first pass through editing book three. In doing so I realized that I needed a detailed timeline, list of characters in the series, a list of places, etc. It’s okay not to have one for the first book, maybe it’s okay for the second, but for continuity, it’s needed by the third. It was time to get serious. So with this revision process I started jotting down notes.

I made a page for each character and when reading the story, any time I came across a character description, I jotted it down. I’m now doing the same thing for the first two books. And it dawned on me (I’m a bit slow, I admit) that I’m creating a character dossier after the fact.

Why does it work to have one when the story is written and done, but not at the beginning when you don’t know the character at all? I have no idea. I think it ties into my style of writing, that I don’t outline either. Once the story is done though, I need the dossier in order to not forget who this person is that I just spent so much time with. Especially for the minor characters who might decide to step forward in a later book for a more major part. I’ll be able to go back to my post-dossier and find out what color eyes they have.

So the dossier works for me at the end of a story as a reminder in case I need it in the future.

All this time of declaring adamantly that I don’t use character dossiers, I’ve been lying. Well, okay, deceiving myself is probably more appropriate.

Oh, and the line above about not outlining? Another self-deception. Because by creating a timeline after the story is done, I’ve just…made an outline! Dang it. I’m going to have to change my whole speech the next time I talk to an audience of writers.

Another character following me at the beach this Christmas. Helping me look for agates I believe.

Another character following me at the beach this Christmas. Helping me look for agates I believe.

Can A Book Be Trash?

I admit to being on Facebook instead of editing yesterday. While there I saw one of those photos people post with funny sayings. It talked about Twilight, 50 Shades of Grey, and War and Peace. I can’t remember what the funny statement was, but two comments really struck me. One person said that listing War and Peace with the other two was just wrong as the other two were a waste of time. The other person said if a book resonates with a person, there’s a reason for that and that should be enough.

I agree, as I’m sure the majority of you do, with the second comment. While I haven’t read Twilight and probably won’t as it seems too romance/mushy, I have friends who love those books. Who am I to say they are wrong simply because tastes differ?

Yes, a book may not meet certain literary standards, or may be weak in the craft of writing, but we’re all learning as we go. Does that mean the book is no good? It might be no good to me, but not to you. So who’s right and who’s wrong?

I have read books I didn’t like. Books where the quality of writing made me cringe. I remember one that was almost 1,000 pages, and halfway through I still didn’t know what the protagonist’s name was. I remember one where the solution to the whole plot revolved around a series of very unbelievable coincidences. I thought those were terrible books. But the first one won awards. Obviously there were people out there who liked those books as they were on the shelves.

Book store shelves by the way, not thrift store shelves where I found one of mine recently…

Speaking of thrift stores, I believe books are in the same category – what’s trash for one is treasure for another.