Flying to Freedom

Juliana Rose Teal has just published her memoir, Flying to Freedom: Healing From Ritual Abuse Through My Life’s Work and Flight. As with all memoirs, the road to this point has been long and difficult. Yet, she has a powerful story to tell and I’m thankful that she found the strength she needed to stick with writing this. The memoir itself may be difficult for some to read, but as Juliana says below, this interview will be gentle with the reader.

Your memoir tackles a difficult subject, and healing is a clear theme. Did you consciously set out with that theme immediately apparent to you, and were there other themes or messages you wanted to explore?

Yes. I wanted Flying to Freedom to be about healing. That is my sole theme.

I wrote my memoir to shed light on satanic ritual abuse, but I wanted to be as gentle with the reader as possible. For this reason, scenes of my astrology, medium, and healing work, scenes of flight training and flying, and descriptions of nature far outweigh the scenes of abuse.

Each chapter that describes flying is tied to my healing process. I showed how I persevered through learning fears and gained confidence as I mastered different aspects of flight. Each flying accomplishment began breaking the hold the cult and my abusive parents had over me.

The chapters about my work are also tied to my healing. I gained self-assurance as I worked with clients, and learned to trust myself and also the guides (angels) that work so closely with me. My work and my intuitive abilities opened and healed my spirituality which was something that had been taken away from me as a child.

My goal is to show that no matter what trauma we have endured, healing is possible, and even though our scars remain, we can find enjoyment and fulfillment in life.

You had many, many roadblocks to telling your story, from the personal to the professional (as in editors telling you it would never happen). What helped you remain true to this story?

I sure did! The whole process of writing and publishing has been quite the learning experience.

I was about halfway through the book when I realized I needed some help. I know how to write
(this is something that has always come naturally to me), but I felt something was missing in
terms of tying my theme to the different storylines in my book. I began to look for an editor to
help me, which was difficult because I had no connections to the writing world. I found the
names of two editors in the back of two New York Times best-selling novels. I contacted them.
Neither would edit books on abuse, but both saw samples of my writing, and I received the gift
of them telling me that I was a talented writer. I had never shown my writing to anyone (besides my monthly astrology newsletter). Their belief in my writing abilities helped me continue to move forward.

Then I approached another editor. She thought my life story sounded interesting and agreed to
edit my book. We exchanged many lengthy emails, where she asked too many detailed
questions about the books I have read and my approach to my book. She eventually asked me
to send my manuscript. A few weeks later I received an incredibly abusive email from her,
letting me know that I should toss this manuscript and write something else. She said some
terribly harsh things that were untrue and uncalled for. I fired her.

I despaired that I would not find an editor, and thought for a short time about stopping. But
what helped me to remain true to my story and continue was an inner knowing that I was
called to shine light on ritual abuse, and that my story is unique and must be told. I felt my book
would be healing to other survivors of any trauma, and that kept me going.

Over time, I not only found one editor, I found three to work with! All had different talents and
focuses. The information they shared helped me to complete my book. Their belief in my story
and their desire to see it published healed the pain of dealing with the abusive editor and
helped solidify my determination to publish my book.

How do you think the manuscript evolved during the editing process?

My book changed quite a bit over time. I cleaned up sentences and fixed typos. I was reminded
to expand certain parts of the book—I had been concerned that I was giving too many details of
my life in certain sections, but found when I expanded these sections, it actually added more
richness and interest to my book.

I also changed some of the content of my manuscript. I learned that each book has one theme.
Just one! Chapters that stray from the theme of the book take away from the storyline and can
cause a loss of focus that can weaken a book. I deleted several chapters that did not contain
healing themes. It was difficult to do, because I liked these chapters, but ultimately, it tightened
and improved my book quite a bit.

Because this is a memoir, obviously you have lived the story your whole life. But at the same time, you’ve carried the weight of needing to share the story, to write it down, for a long time. What does it feel like, having the memoir finally done?

It feels amazing. I worked hard on it for over five years, and to have the finished product in my
hands feels surreal. It is very exciting, yet it is also a bit scary. I did not have a difficult time
writing the book, even the abuse scenes, because I have wanted to write my entire life. I am
fascinated with the writing process and this distracted me from the difficulties I could have
experienced when writing about abuse.

But putting my book out there into the world is another matter. There is a feeling of
vulnerability that comes with it. I have always been a private person, and now the world knows
intimate and painful details of my life.

There is, unfortunately, a lot of denial that satanic ritual abuse exists. I am sure I will run up
against the people who will say that my story is not true because such horrendous abuse is not
possible.

But I am happy my book has been published, and hope that it helps other survivors and their
loved ones.

You became a healer because of the life you had but I’m wondering what you dreamed you would be when you were young.

I was made to believe, from a very young age, that becoming a doctor would be a good career
for me. I am not sure why my parents insisted on this. It would not have been. I have always
loved animals and nature but never thought it was possible to make this love into a career, so I
imagine as a child, any musings about this were stuffed deep inside of me. From a young age I
wanted to be a writer, but I found no encouragement for this path, and did not have the
confidence to pursue it. I did have a hidden interest in the metaphysical/spiritual, and if I had
been allowed to dream about having a career that I desired, I most likely would have dreamed
about this as well.

After all it’s taken you to get to a finished book, to be able to hold your voice in your hands, do you think there is another story waiting to be told inside you?

I would love to write another book, but am not sure what to write about. I am thinking about it.

With the knowledge of the writing process that you now have, what would you do differently when writing another book?

I have learned a lot about linking stories together in a book to help with the flow. My first draft
did not link stories within a chapter or even chapters together well. Now that I am aware of how important this is, I would make sure my next book had good flow from the start. Other
than that, I would proceed in the same fashion—motivation was never a problem, so I would
write every day, and when I was ready, submit my manuscript to editors.

Thank you for taking the time to answer these questions, but thank you even more for sharing such an intimate, difficult, and powerful story.

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Press This

A friend and I recently talked about indie authors creating small presses for their works.

The cynical side of me spoke up. Along the lines of how authors must still feel a tiny bit of shame that there isn’t a publishing house listed under their title. My friend explained the business sense behind having a press, and I get that. I’m even considering it, talking to another friend about starting a small local press.

But let me be brutally honest here. I would feel more like a ‘real’ author if I had a publisher’s name behind me. Heck, even a small press that I started would make me lose that tiny seed of shame when someone asks me, ‘who published your book?’ I could say the name of the press rather than ‘me’.

Dang that makes me mad. That tiny seed of shame. Why am I less of an author, in this day and age, because I am not under a contract, signing my life away to a big name? The truth is, I’m not less of a writer. My stories are just as valuable. Well, I may need a lot more editing than most, but that’s a previous blog post.

Now that my dander is up and I’m continuing the honesty theme, I think even using the phrase ‘I’m an indie author’ is covering up for that seed of shame. Otherwise I’d say ‘I’m self published’. Yes I know there’s a difference between self publishing and self publishing through a vanity press. Yes I know all the arguments for publishing free of an agent and big name. After all, I researched all the pros and cons before I chose which route to go. But still, there’s that ingrained sense of not being a truly published author yet.

You know what I think the problem is?

Age.

Think about it. I grew up when an author’s dream was to land an agent and get picked up by a major publishing house. All the resources for writers explained in detail how to market yourself to an agent.

These days, younger writers are growing up free from that. They are like my teenage son, who amazes me with his computer skills. Compared to me, growing up with a manual typewriter. These young people haven’t had those publishers held in front of them as the only path to being an author. Options and alternatives are more acceptable.

Guess I need to get with the times.

Think I’ll go start a small local press.

He's also skilled with engines. Not that I'm bragging.

He’s also skilled with engines. Not that I’m bragging.