Diaries and Dramas

A few weeks after my mother died, my sister and I went through her things.  This involved scaling a gigantic mountain as my mother was a hoarder.  At one point I heard my sister sobbing and found her holding my mother’s diary.  It was an odd journal, full of stories of things that hadn’t happened, cruel comments about her children that made no sense, and serious signs of instability.  But all my sister saw were the horrible words written about her.  At the time we had a bonfire outside and so I took the diary, plus more of my mother’s that I found, and threw them onto the fire with broken-hearted fury.  And then I went home, gathered the diaries that I had kept since I was nine years old, and burned them, too.  There was a rage inside that words could so hurt.  I didn’t ever, ever, want something I had written to hurt another person so deeply. 

It probably wasn’t smart to make such an important decision that impacted not just me but siblings as well, when none of us were emotionally stable.  And over the past few years I have had brief moments of regret. 

And over the past few years I have never again kept a diary. 

Here’s the thing though.  Most writers keep some sort of notebook.  Something that holds bits of over-heard dialog, descriptions of someone passed in a street, ideas for stories, and random thoughts on writing.  I keep having this little nagging voice whispering to me that I should be writing life down.  Added to that, I know there are many types of diaries.  I know people who keep weather journals, nature journals, bird journals, and even one who keeps a running tab on river levels.  So if I really wanted to keep a diary, there are a lot of forms I could choose. 

Yet I keep going back to that moment when my mother’s words devastated my sister.  And I believe that if I started a diary again, the words would be false because I would mentally be editing them out of fear of hurting someone.  And that kind of writing is dangerous because there’s the possibility of the writing becoming a lie.  I find myself in this quandary of wanting to keep a journal and yet not knowing how to make it both honest and painless.  This is a common tightrope for writers to walk.  The work needs to be honest.  A friend described this beautifully when she said she was using a pen name to remove the inner critic that sat on her shoulder whispering, ‘what would your mother think?’.  But a pen name and the anonymity that brings isn’t an option when it comes to a journal.

Fiction is easier.  I have written stories where family members have been represented in characters, and not always favorably.  Do I worry about offending a family member?  Heck no.  I can always say, ‘it’s fiction’.  That excuse doesn’t exist for journals. 

I went into an office supply store this weekend and stood before the variety of notebooks thinking how much I would like to take on those blank pages.  I haven’t felt that desire to journal in a long time.  But as I reached for one, the fear came back.  I believe journals are important, especially for writers, but I haven’t found a solution to writing honestly without possibly breaking my son’s heart some day.  Even though I’m not my mother, and even though I want to record my writing life, not his life, is it worth the risk?  Some day I’ll find the balanced answer, but obviously it’s not today.

A Poem and a Mystery

Several years ago I came across a poem.  There was no author’s name attached, and this was before the internet.  I remember asking a resource librarian how to find out who had written the poem, but she was unable to help.  I kept that paper though because the words haunted me.  I wanted more.  There were so many stories hinted at in the stanzas, and I yearned to hear those stories.  What happened before.  What happened after.  Why? Who did the girl turn out to be? How did she live?  I used to make up stories about the girl in the poem, and the words contributed to many daydreams.  In a way, it was my first exposure to the writer’s best friend; that ‘What If’ question that inspires writing.

A friend suggested I type a few lines of the poem into Google.  I did, and there the author was.  Not only did I find who wrote the poem, but I also found that she has written many more for me to discover.  Mary Mackey has graciously given me permission to post that poem here, which I have done in the sidebar. I’d planned on posting it right within this post, but it formatted as if each line of the stanza was a new paragraph and that distracts from words that deserve full attention.  Every time I read this poem it gives me chills and I hope others see the beauty and mystery, too.  And if it makes you want to read more, go to www.marymackey.com

Ms. Mackey has also agreed to be interviewed, so I am trying to come up with questions that she hasn’t been asked thousands of times.  Until then, please take a moment to visit the sidebar and read When I Was a Child. And then please let me know if it haunts you like it does me.

Universal Editing

I read a blog today by a woman who just had her work edited. She was discouraged, felt like she was a horrible writer, and questioned whether to continue writing or not. This woman has a fantastic blog that I absolutely love reading, here on wordpress, called Intergalactic Writing Inc. This is a drawback of the internet because I wish I could reach out and give her a hug. What she experienced is not what editing is about.

She said she assumed some parts were good because there were no comments. There were only comments where things were ‘bad’. Oh, my blood pressure is rising. It is equally important to have the things that work (‘good’) pointed out, too. A good editor comments on what works, and explains why. We writers learn as much from those comments as we do from having problems pointed out. Second, an edit should never focus on negatives. Even when something doesn’t work, it doesn’t deserve negatives, it deserves suggestions, support, and work between the editor and the writer.

I always say a good edit leaves a writer enthusiastic and excited to jump back in and work. If I’ve been edited and the result leaves me discouraged or feeling like a failure as a writer, I feel that’s actually a failure of the partnership between the editor and the writer. Nothing infuriates me more than seeing a writer give up because of a negative edit. Especially when, more than likely, the negative edit is the opinion of only one person.

Edits should be respectful, positive, educational, and productive. They should not kill the love of words, the love of the writing craft, or the spirit of the writer. I’ve had my work edited by professional editors, where I paid a lot and writing friends where I paid nothing. Each and every one has taught me something. I guess I’m lucky I didn’t end up with an editor like this person did. If so, I’m not sure I’d be where I am on my writing path.

Okay, I’ll climb down from the box now before this turns into a rant. The point is well taken I’m sure. So what kind of editing results have you had? Have you been left raw and bleeding or uplifted and excited to be a writer?