The Theme of Blurbs

/ Lisa / 2 Comments

I’m struggling to write a cover blurb. You know, those little bits on the back of a book that make you want to read it. I swear the dang things are harder to write than the whole novel. They have to do so much with so few words.

One of the things they must at least allude to is the theme. Or maybe it’s the premise. I get them confused. So yesterday I went back to scraps of paper all writers have. Where you hear something, read something, think of something…and jot it down with no idea what you’ll do with it later. I am really bad at not also jotting down the source. So unfortunately I can’t attribute the following quotes to the very wise person who wrote them. I do know they came from a book on writing.

‘Theme is the central concern of the story, gives it focus, and is the invisible thread linking elements of the story.’

‘Premise is linked specifically to the conclusion, the truth proven by the story’s events and ending, often reflecting the protagonist’s journey of understanding and can be summed up in a simple statement – one character must be changed by what the premise proves. The premise and ending must always reinforce each other.’

You’ll notice that the explanation of ‘premise’ has a lot more words than the explanation of ‘theme’. I believe that’s because a writer is more aware of the premise while writing. It’s a tool used to tie all aspects together. The theme on the other hand, typically doesn’t show up until the edit process. Or for some, like me, four books into a series. When the thought bulb suddenly lights up and you realize that your stories all see to have the same underlying meaning. Plus, premise is usually explained in at least one complete sentence, where theme is typically explained in one or two words. A phrase maybe, if you’re lucky.

If I have an idea of the theme, and know the premise, those two tools give me the words that I know must be included somehow in the cover blurb.

The following statements and questions also help craft the blurb.

‘Is the protagonist ever in danger? Failure to solve the problem must seem to promise disaster.’ If you know the danger, the solution, and the disaster, you’ve pretty much got your key words for the blurb.

‘The inciting incident creates the first goal, upsets the balance, and is needed in act one.’ If you go back to the opening, find the inciting incident that starts the whole story rolling, then most of the time that also gives you the opening of the blurb.

So with all those tools and wonderful suggestions at hand, is my cover blurb done, perfect, and ready to grab readers?

Not even close.

But at least I know what one should look like if I ever finish one.

Here’s the view from the back door this morning. Much nicer to spend time gazing upon, than looking at empty pages with the nagging thought ‘finish that blurb!’.

The slope of Taylor and the backside of Frozen Mountain.

The slope of Taylor and the backside of Frozen Mountain.

A Home For Lace

/ Lisa / 5 Comments

Back in the 1980s I took a class for bobbin lace because it was a dying art and I thought it should be preserved. Unfortunately there weren’t enough people to keep the Lacemaker shop open and it closed before I moved much beyond the raw beginner stage. And then between moves and life changes, the lace pillow was packed away. Now that I have a home again and more time in my life, I have unpacked.

Bobbin lace is how lace was made before machines. If you research the history of lace you will find that the task of making it was so exacting only royalty or extremely wealthy people wore it. When a girl was born, her family commissioned a lacemaker at the time of birth, so the lace would be finished in time for her wedding. Young girls around age four began training to make lace, beginning by learning how to make the pricking, or pattern. These children were tied to chairs to keep them still for hours, and they worked around a large table with a single candle in the center. Each child had a bowl of water in front of them to help refract the light. Most were blind by the time they were in their early teens. Such was the value of lace.

Now, however, it’s a handicraft you might see at county or state fairs alongside spinning wheels, crocheting, and knitting. In the 80s when I started, there were roughly 3,000 lacemakers in the States. Now I’m sure there are many more.

There are different styles of bobbins. I have both Belgium and English. Belgium are shaped like a pear and use the ‘bulb’ to weight the bobbin. I prefer English bobbins as they have interesting beaded spangles. In mediaeval times some beads warded off evil spirits; some brought luck. Then, as now, the beads work as weights to keep tension on the threads. Below, I am beading English bobbins. Rather than buying expensive beads at a craft store, I go to thrift stores and buy old necklaces and cut them up.

Old necklaces repurposed to English bobbins

Old necklaces repurposed to English bobbins

Next, a pricking is created. As I’m still a beginner, this is a Torchon lace pattern, meaning the lace is worked in straight lines. To make a pricking, a drawing on plain paper is attached to card stock. A tool called, originally enough, a pricker, is used to poke holes through the card stock. The card stock then becomes the pricking. Years ago I had a wonderful tiny wooden bowl filled with beeswax. All I could find now was a plastic box with candle wax. The pricker is stabbed into wax frequently to make the needle pass through the card stock easily. The lines on the paper version show which direction to work and will be drawn by pencil onto the pricked card stock.

Creating the pricking.

Creating the pricking.

The bobbins are then wound with thread. Because lace is done by working with pairs of bobbins, two bobbins are wound from each end of a length of thread and then secured with a slip knot to keep the bobbins from unwinding while using. Below I am using a bobbin winder which saves wear and tear on your wrists.

Tea helps with the winding process.

Tea helps with the winding process.

Another thing that helps is a place to hang the pairs as they are filled with thread. Years ago I had a handy wooden frame just for this. Now, a chair back works just fine to keep pairs from tangling.

Pairs on chairs

Pairs on chairs

Once all is ready, the pricking is pinned to what is called a bolster, on a lace pillow. The bolster turns so as you work the completed lace feeds off the back. Holding pins are placed above the pricking to hold the bobbins ready to begin. You’ll see, next to the ever-present tea, another pricking. This one is a handkerchief edging I made in the 80s, curved from years pinned to the bolster. You’ll also notice four bobbins in the center, separated from the others. This is a worker pair and a weaver pair, ready for the first stitch. The stitches are done by weaving one pair through the other. After a pair is worked it is set aside and the weaver moves on to the next pair. To work the pricking, a stitch is done, a straight pin placed in the hole in the pricking, and then another stitch is worked to ‘close the pin’. The straight pins stay in place until at least an inch of lace is completed, then the pins from the back can be pulled and moved to new stitches in the front. This moving of pins allows the bolster to turn and the completed lace to feed off.

Lace pillow with pricking, pins, and bobbins

Lace pillow with pricking, pins, and bobbins

In spite of having the direction to work penciled on the pricking, I had to pull the stitches out three times because I went the wrong way. Remember, I never made it past the beginner stage, oh so many years ago. But below, finally, is the beginning of a bookmark.

A future lace bookmark.

A future lace bookmark.

Lost Friends

/ Lisa / 1 Comment

Do you ever think about people who have crossed paths with you over the years and wonder where they are? Have you ever had a transitory moment with a stranger and left thinking they could have become friends?

That happened many times traveling. Someone met on a train, a brief conversation in a bed and breakfast, those moments when there was a click, a recognition of the other, a knowledge that if there was just more time…

I’m not sure that happens as much these days as it is so easy to give an email address. I wonder if this generation misses out on the mystery of those ‘what if’ questions.

Then there are those we have lost contact with. There is never an end to those stories. We don’t see how they grew up, who they became, how they maneuvered through life. We’re left with occasionally having something remind us of a person in our past. We spend a few moments wondering where they are and who they are, and then we immerse back into our busy lives. These days we might even take a moment to type their name into a search engine.

When I was young, there was a boy. I’m only going to use his first initial. K’s mother was a friend of my mother’s. Even though K was my age, mom seemed to think he needed watching after. Or maybe she thought I just needed to make up for past treatment of him. Supposedly, when we were toddlers I would get in K’s face and scream loudly just to make him cry.

I remember one day, about age seven or eight, and mom sent me to the local grocery store to buy a loaf of bread. This was in Seattle in the 1960s and the store was a couple blocks away. These days I’d be labeled a ‘free range’ child and hauled into foster care and my parents prosecuted. But I digress.

Mom made me take K along and made me hold his hand. I don’t know if she was afraid he’d wander into traffic, get lost, or what. On the way we had to walk by my ‘boyfriend’s’ house. If you can have a boyfriend at that age. N was furious, yelling at me that we were never going to get married because I was cheating on him. Seriously. At age eight.

K was terrified.

N grew up to marry young and divorce, then marry again and divorce again. I lost contact with his family years ago.

Back to K. There was also the time mom made us play Candyland on the back porch on a sunny day. We played 26 games. I won 23. K cried. I got in trouble for not letting him win.

The thing is, he was a nice kid. In our teens we got along fine. But we lost contact in later teen years. I mean, the only glue there, was the friendship between our parents. He grew up and moved away as did I.

I did hear that in his twenties he was living in California, had a job as a banker, and was in a very happy relationship with someone and that they hoped some day to be able to marry.

Which is why I’ve been thinking about him lately. Wondering if finally, way too many years later, now that we are moving into a period where gay marriage is finally being allowed legally, if K is married and happy.

Okay, I also wonder if he has nightmares about a kid screaming in his face, or giant Candyland board games haunting him.

So many people who have passed through our lives, touched them so briefly, left an impression, a sense of opportunity lost, or even, in the case of N, a sense of relief they are gone.

Life is so fleeting.