Genre Originality

I’ve been wondering lately when the requirements of specific genres in writing slide over into the realm of clichés. Which leads to other questions. How do you keep a reader who loves the genre from getting bored? How do you stay within the confines of a genre and yet write an original piece? How do you keep a genre-specific story from becoming predictable?

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I obviously love mysteries. As a mystery reader, I know the basic road map the story will take. I expect a series, a hero’s journey, meaning a protagonist who struggles against self as well as plot, and a climatic ending. What makes me reach for a new author is a setting I haven’t yet visited, a mystery that isn’t based on the discovery of yet another young woman’s body, and an ending that isn’t just the protagonist facing down death. I mean, it’s a series, right? Do we really think the author will kill off the main protagonist? Of course that happens, but it’s rare. So if there’s no chance of killing the golden goose, there’s no tension at the end because you know the character is going to survive. Give me something more to worry about.

The things I look for in mysteries are those things that keep the genre from becoming boring for me. The things I try to avoid are those things that feel like mystery-series clichés.

In apocalyptic genres (think Stephen King’s The Stand) there are always the disparate groups of people who eventually come together. There’s conflict between the characters as well as whatever outside danger is stalking them. You’re always going to find characters like the athlete, the brooding type with a past, the woman from a broken relationship, the overweight nerdy type, etc. You get the idea. The unique twist is usually whatever is out to kill them all. Oh, and who survives. This genre has more freedom to kill characters off.

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As an aside, Stephen King is a master at developing characters. His are the only books I read where I flip to the end to see who survives. I don’t want to get emotionally involved with someone who’s going to be killed off mid-story.

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Readers of specific genres expect those rules to be in place. They know what they are going to get when they open the book. The only surprises the books should offer up are the unique twists the author adds. The underlying plot structure should be predictable, to a point, so the reader gets what he or she loves out of that genre.

Of course there are always the books that overlap genres, combine genres, are genre-less, or even create a whole new genre. But you get what I’m saying here, I’m sure.

The challenge for a writer within a genre is sticking to the rules while breaking them at the same time. But not breaking so many that the reader is left feeling cheated. And not sticking so closely to the rules that the author is bored.

And avoiding becoming a cliché.

What’s with the random photos not connected to the blog subject, you ask? Maybe an apocalyptic genre story in its infancy, set in the mountains.

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Sunshine On My Shoulders

I try very hard to not ‘market’ on this blog post because selling isn’t the purpose of writing here. So please understand that this is a post of excitement rather than pushing a product.

Sunshine On My Shoulders is now live on Amazon! You writers out there understand the excitement because you know the long process from creation through revision, through editing, through more revision to the final point where you just have to let go.

So I’ve managed to let go. Though I want to go back for one more read-through because there’s always that one last typo you missed.

But for today, I’ve tossed the child to the world.

 

Shame In The Eye Of The Beholder

Sunshine On My Shoulders should be available in just a few days. As part of the publication process, I decided to go with a new cover artist, and then asked her to redo the covers of previous books. I’m beyond thrilled with the results.

I’ve been thinking about these changes, beyond just the business aspect.

First, let me say that there was nothing wrong with the previous cover artist. She was new to the trade and I was new to the design aspect, and neither of us knew how to make our needs clear. There were misunderstandings and mistakes on both sides. The end result was three covers I never liked.

There’s a bigger issue though.

Shame.

I wonder how many indie authors feel that. I’ve written about it before on this blog. The struggles to feel like a ‘real’ author when there isn’t a large publishing house behind the book.

There are a lot of things that contribute to this, like opportunities for beginning authors, but only if you’re traditionally published. Yes, there are some opportunities for indie authors, but the market hasn’t reached the point yet where they are equal. Same with trying to get indie authors through the doors of book stores and libraries. Which leaves many feeling not good enough.

Then there’s the indie publishing process itself. It’s so easy. Which results in millions of books. When I started this, the thinking was that if you were professional, if your product was polished, you’d float upward through the masses while those books that were tossed out with no editing, no writing experience, etc., would sink and disappear. Maybe they do, but again, with millions, if not billions, of books out there, that means a lot of sinking and rising to do.

If I look one of my books up and see that it’s ranked around five million, I don’t see rising going on, only failure on my part. After all, I’m just an indie author.

That underlying shame is not something I’m often consciously aware of. It doesn’t impact my writing. Nothing can take me out of the story world. But it surfaces when I squirm with certain phrases in the real world.

I’m an author. I say, I’m a writer.

I have published books. I say, I have stories out there.

I’ve been invited to speak at an author’s panel. I say, I’m going to talk about writing.

But with Sunshine, I realize that shame has always been there when I look at my book covers. Just that little brief feeling of uncomfortable. That back-of-your-mind thought where you wish your books looked better when you’re at those author panels.

That really never sank in on a conscious level until today when I saw the final concept for Sunshine’s cover. When I saw how professional it looked.

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Finally, after four books, I feel like an author.

And the weird thing, which is also rather sad, is that feeling like an author has nothing to do with the story, with the words inside that cover. My feeling like I have something now to be proud of comes from the beautiful artwork of another.

I don’t mean that I’m not proud of the story inside the cover. There are lots of pieces in there that I like. But I’ll be the first one to tell you that I see the world through words, not color and design. I can’t even tell what colors go together. It’s just that the visual, the first impression, all comes from the cover of a book.

That first impression, I think, just got a lot better. So a great big thank you to Monika Younger of Younger Book Design.

The other book covers should be redone before too long.

Feeling like a real author will take more time. Well, probably a LOT more time. But hey, I have a lot of stories still to tell, so we’ll consider that a work in progress. I’m sure I’m not alone in that.